Many years ago, when I first started learning the craft of
writing, someone said to me, ‘treat your setting like you would any other
character in your story’. At first, I didn’t exactly understand what was meant
by that. After all, is setting really that important? Do we really need to give
it as much attention as our hero and heroine’s character? Yes, and yes. We do.
You see, setting isn’t just about where the story takes
place. Setting, and its characteristics, can really add dimension to your scene
and story as a whole. What do I mean by this?
Well, take a forest for example. Yes, it’s full of trees,
and you could easily leave it at that. But, a forest is so much more than that.
Let’s use the five scenes to create a character for our forest.
SIGHT
Think about what you would see in a forest. There are wild
mushrooms, sap crusts, spider webs, and thick underbrush, to name but a few.
SOUND
What would you hear in a forest? Squawking birds, groaning
trees, animal screeches, or the scrabbling of lizards on tree bark. Think back
to the last time you were in the forest. What did you hear?
SMELL
Personally, I love the smell of a forest. It’s richly
scented with wild flowers, and the minty, pine, honey scent of eucalyptus
trees. But, the forest can also smell unpleasant. There are stagnant pools of
water, dead animals, and the foul smell of animal dung.
TASTE
What about the taste of a forest? Now, before you run off
into the forest, in the name of research, to find out the tastes of a forest,
just be careful not to pop random berries or leaves into your mouth for obvious
reasons! Think about what can be found in the forest? What does a mushroom
taste like? Are berries sweet or sour? And
what would pine needle tea taste like?
TOUCH
Have you ever ran through a forest? What did the leaves feel
like as they brushed against your sleeveless arms, or as you brushed up against
the rough bark of a tree? How does the soft forest breeze feel against your
heated skin, or the hot, muggy, thick unmoving air, that makes your clothes
stick to your body?
Of course, the sights, sounds, smells, tastes, and touches
of a forest in winter will be greatly different to a forest in summer, or
spring, or autumn. They will even be different between morning, noon and
evening. And do not get me started on a forest in the dead of night. SPOOKY!
Do you see, just by really thinking about each of the
senses, our forest that is just full of trees, really takes on a life of its
own? It comes alive and your readers will feel as if they are there in the
forest with your characters.
One last point. As a rule of thumb, I tend to use at least two
(three if possible) of the five senses in every scene.
Here is an example from my own writing. This piece is taken
from my latest release, Of Love and Vengeance.
The first example is a scene without using any of the sense to set the scene:
She stood poised in
the middle of the stream, her bow and arrow at the ready, as she waited for
tonight’s evening meal to swim by.
It's a bit blah, isn't it? You don't really feel like you're there in the stream with her. There is no connection to the scene.
Now, here it is with the senses...
The sun was warm on
Laila’s back, and she closed her eyes and sighed as the cool, clean crisp water
slipped over her bare feet. The mud, sticky and thick, squished between her
curled toes. The low hum of insects and trill of birds filled the otherwise
quiet clearing.
She stood poised in
the middle of the stream, her skirts hitched up around her thighs and her bow
and arrow at the ready, as she waited for tonight’s evening meal to swim by.
She winced as the sharp edge of a rock bit into the fleshy under sole of her
foot. But she did not dare move.
See the difference, aside from the increased word count!
Why not pick out a scene you’re currently working on and
think about the setting. How many of the five senses have you used? Can you add
more depth to your scene by getting to know your setting?
If you’re feeling brave, why not share a paragraph or two
that clearly shows the characteristics of your setting by using at least three
of the five senses?
Happy writing!
Fabulous reminder about using the senses in a scene. I try to do so, seldom with success, as I'm scrambling to get the story onto the page. It's usually in the revision or editing stage when I add in the little details that bring the scene alive.
ReplyDeleteHi Luanna, thanks for stopping by. You're like me. Words on page first and then the layering!
DeleteGreat advice while I'm editing today. Glad I stopped by and love the blog. Thanks!
ReplyDeleteThanks, Ally!
DeleteI write character driven style so I tend to add depth as I go, but there are still a lot of areas when I have to beef up the setting character. Nice post.
ReplyDeleteThanks, Calisa.
DeleteI've been reading Mary Buckham's books on setting as character. It was an eye opener to me and you have just reinforced it. Thank you.
ReplyDeleteThanks for stopping by, Kathye!
DeleteGreat post, Louise! I need those reminders!
ReplyDeleteThanks, Barbara!
DeleteThose are exactly what I strive for when writing a scene, Louise! Great post! Love your new site, too. :)
ReplyDeleteThanks, Mary!
ReplyDelete